JOURNAL TOPIC:
You've written a lot this week; is there anything left for you to practice/improve over the weekend? Do you need to practice more multiple choice? Take inventory-- one last time-- and describe how you will address any areas where you feel less than 100% confident.
I am more than prepared for the essay portion of the AP exam. After writing everyday this week, I feel like the quality of my work is actually deteriorating and is why I haven't posted a few of the other essays. I am burnt out! I do feel like a bit of multiple choice work might be helpful, so this next week I will be reviewing past tests to pick up trends and strategies. I think I have gotten some helpful pointers in class from other students about what is missing in my essays, and I can make those adjustments accordingly to feel confident going into this exam.
Friday, May 3, 2013
Thursday, May 2, 2013
Wednesday, May 1, 2013
Tuesday, April 30, 2013
Wednesday, April 24, 2013
Gridlock
Hope
Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
TPCASTT
Title: Hope
Paraphrase: The poem is about a bird, that perches on a tree with the most positive outlook. Nothing can bring it down, but storm. It remains loyal and independent.
Connotation: Hope is the bird that perches on the tree.
Attitude: Positive and uplifting, until the switch with the storm.
Shift: storm
Title(revisited): bird is symbolism of hope
Theme: Hope gives strength and perseverance through the toughest situations. Even when you don't think it will be there, it is.
Richard Cory
Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
'Good-morning,' and he glittered when he walked.
And he was rich - yes, richer than a king -
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.
Edwin Arlington Robinson
TPCASTT
Title: Richard Cory
Paraphrase:Richard Cory was a rich man and role model among the people. In the shift of the poem he killed himself with a bullet to his head.
Connotation: "glittered when he walked" shows how much admiration there was for him among people. "waited for the light" shows that the people just wanted more happiness in their lives and wanted people to be like the old Richard Cory.
Shift: "Went home and put a bullet through his head." Everyone admired Richard Cory, but in the end he kills himself.
Theme: Sometimes by separating someone from the rest of society, we make them feel alone.
Tuesday, April 23, 2013
Seventh Reading
For Poetry Boot Camp, Conor, Brady, Chanel, Ashley and I are analyzing poems and Dr. Seuss to write to in the next few days :)
Thursday, April 18, 2013
Tuesday, April 16, 2013
Macbeth Act 3 Notes
Act Three, Scene One
Banquo suspects Macbeth but gains comfort from the second part of the Witches' prediction — that his own children will be kings. Having announced his intention to go riding with Fleance, Banquo is persuaded by the Macbeths to return later that evening to their new palace at Forres for a special feast. However, Macbeth realizes that the Witches' prophecy regarding Banquo represents a threat to his own position. Unable to endure the thought of Banquo's descendants claiming his position, Macbeth summons two hired murderers and confirms with them prior arrangements for the killing of Banquo and Fleance.
Act Three, Scene Two
This short scene allows the audience once more into the private thoughts of the murderous couple, while holding the action momentarily in suspense. As the hired killers make their way toward Banquo, Macbeth and his wife meet secretly. His wife attempts to soothe his troubled mind but ironically feels the same doubts herself. Killing the king has provided them with many more difficulties than they first envisioned. To the astonishment of his wife, Macbeth reveals his plan to murder Banquo.
Act Three, Scene Three
The hired murderers meet as arranged. On hearing approaching horses, a signal is given, and Banquo and his son Fleance are attacked. The murderers' lantern is accidentally extinguished, and the job is left half-done: Although Banquo is killed, Fleance escapes.
Act Three, Scene Four
At Forres, Macbeth and his wife welcome the thanes of Scotland to the banquet. Immediately prior to the feast, one of the murderers appears at a side door and reveals to Macbeth the truth about the mission: their success in the killing of Banquo and their failure to murder Fleance. Macbeth recomposes himself and returns to the table. As he raises a toast to his absent friend, he imagines he sees the ghost of Banquo. As with the ethereal dagger, the ghost of Banquo appears to come and go, propelling Macbeth into alternating fits of courage and despair. Lady Macbeth invites the thanes to depart and, once alone, tries one last time to soothe her husband. But Macbeth's paranoid mind is already on to the next murder, that of Macduff. To ascertain his future with greater certainty, he makes clear his intention to visit the Weird Sisters once more.
Act Three, Scene Five
Hecate, the classical goddess of the lower world who represents the spirit of ancient witchcraft, calls the weird sisters to her to complain that her own part in Macbeth's downfall has been overlooked and that she now wishes personally to make his downfall complete. The scene is unnecessary to understanding the play and was probably not written by Shakespeare.
Act Three, Scene Six
Meeting with a rebel lord, Lennox reveals his doubts concerning Macbeth. His argument is that those who might be immediately suspected of murdering their kinsmen are less likely to have done so than Macbeth, who had killed the guards of Duncan's chamber so hastily. Although Lennox is prepared to accept Macbeth's actions, he cannot help feeling deeply suspicious of him. The other lord reveals to Lennox that Macduff has fled from Scotland to join forces with Malcolm in England. Moreover, they have requested help from England's King Edward the Confessor. Both Lennox and the other lord pray that God's vengeance may swiftly fall on the tyrannical Macbeth and that Scotland may return to peace once more.
Monday, April 15, 2013
Macbeth Act 2 Notes
Act 2, Scene 2:
After killing Duncan, Macbeth enters his private chambers where Lady Macbeth is anxiously awaiting him. The shrieks of owls and the cries of crickets, both evil omens, pierce the air as Macbeth narrates to her the gruesome details of the murder. He tells his wife that Donalbain cried "Murder!" and that Malcolm laughed in his sleep while Macbeth killed Duncan, but they both said their prayers again and went back to sleep. Macbeth also tells his wife that he was unable to bless himself when he "had most need of blessing." (Act 2, Scene 2, Line 31) He thinks that he heard a voice saying, "Sleep no more! Macbeth does murder sleep." (Act 2, Scene 2, Lines 34-5) From this point on in the play, neither Macbeth nor his wife are able to have a good night's rest as they are plagued by the memories of their ghastly crime.
Suddenly, Lady Macbeth notices that her husband's hands are covered in blood and that he is still clutching the telltale dagger. She orders him to wash up and hide all incriminating evidence. Macbeth, however, is incapable of doing anything because he is in a state of shock, so Lady Macbeth is forced to take over. She smears blood over the faces of Duncan's servants so that they will seem guilty of the crime. When she returns, she promptly washes her hands and orders Macbeth to be calm. The couple hears a loud knocking at the south entry and they fearfully retire to their chambers.
Suddenly, Lady Macbeth notices that her husband's hands are covered in blood and that he is still clutching the telltale dagger. She orders him to wash up and hide all incriminating evidence. Macbeth, however, is incapable of doing anything because he is in a state of shock, so Lady Macbeth is forced to take over. She smears blood over the faces of Duncan's servants so that they will seem guilty of the crime. When she returns, she promptly washes her hands and orders Macbeth to be calm. The couple hears a loud knocking at the south entry and they fearfully retire to their chambers.
Act 2, Scene 3:
A drunken porter stumbles through the hallways to answer the knocking at the gate. By comparing himself to a devil-porter and the castle to the residence of Beelzebub (the devil), he implies that Inverness is an evil and sinister place. Macduff and Lennox enter the castle and ask for Macbeth. They ask to see the king, as Duncan had requested that he be awoken at a timely hour. Macduff goes to the king's room to wake him up. In the meantime, Lennox explains to Macbeth how there were earthquakes and storms raging the whole night. In Elizabethan times, people believed that Nature mirrored human events; thus in this case, Nature has reflected the horrible murder of King Duncan. Macduff reenters the room pale and shocked-he wakes up the whole castle to report the news that King Duncan has been murdered.
Lady Macbeth enters the room, feigning the countenance of one newly awoken. She pretends to be horrified by the news that the king has been murdered in her own house and faints. Malcolm and Donalbain are informed of the tragic news. Instead of openly grieving for their father, they escape respectively to England and Ireland. The heirs feel that the court thinks them to be the main suspects of the crime. In addition, they risk their own lives by staying in Inverness, as they could be the murderer's next targets. Thus, the royal heirs quickly flee Scotland. Macbeth asks the rest of the court to reassemble in the hall to discuss this strange turn of events.
Lady Macbeth enters the room, feigning the countenance of one newly awoken. She pretends to be horrified by the news that the king has been murdered in her own house and faints. Malcolm and Donalbain are informed of the tragic news. Instead of openly grieving for their father, they escape respectively to England and Ireland. The heirs feel that the court thinks them to be the main suspects of the crime. In addition, they risk their own lives by staying in Inverness, as they could be the murderer's next targets. Thus, the royal heirs quickly flee Scotland. Macbeth asks the rest of the court to reassemble in the hall to discuss this strange turn of events.
Thursday, March 28, 2013
Literature Analysis #8
Literature Analysis 8
The Road
By Cormac McCarthy
1. The Road is the story of a man and his son who are trying to survive in a post-apocalyptic world. The father keeps the son safe in this dangerous territory as they face scavengers and cannibals. The father feels that it is important to keep his son as sane as possible during this time so he won't end up like the crazy people around them. The son feels safe with his father as they venture until the father begins to grow ill. This illness causes the father to die and the son is left with a choice to join a colony. He decides to join this colony since they can keep him safe and he thinks of them as a new family.
2. The theme of the story is the power of family and love. The father loved his son and wanted to see him safe and unharmed. He gave his son morals to give him humanity in the inhumane times. Without the father's love for his son, the father would not have lasted as long through his disease and the son would have been lost.
3. The book has a depressing tone. The father and son must survive through these difficult times. They are constantly facing death without food or water. When they do have food and water, scavengers are trying to take it from them. The father is also trying to keep his son sane in this insane world. It is tough for the audience to watch this child grow up in this environment.
4. McCarthy uses setting, characters, and syntax to represent the theme and tone of his book. The setting is a desolate wasteland which immediately connects with the depressing tone and gives the reader a feeling of emptiness. His characters are constantly struggling to survive and face death often. His syntax shows how the characters connect with each other and the importance of family in these trying times.
Wednesday, March 20, 2013
BNW Quote
“If one's different, one's bound to be lonely.”
This simple quote is the main theme of the satire. In Brave New World, the society is created for everyone to be the same. No individuality other than class distinction, which is predetermined, makes the population mundane and controlled. The 'savages', or naturally born people, are outcasts in society and looked down upon.
This simple quote is the main theme of the satire. In Brave New World, the society is created for everyone to be the same. No individuality other than class distinction, which is predetermined, makes the population mundane and controlled. The 'savages', or naturally born people, are outcasts in society and looked down upon.
Wednesday, February 27, 2013
Friday, February 22, 2013
Literature Analysis #7
Literature Analysis #7
Their Eyes Were Watching God
By Zora Neale Hurston
1. After a long absence, Janie Crawford is now back at Eatonville, Florida. People gossip about her and her young husband, Tea Cake. Her grandmother's wants to marry Janie and finds the perfect fit, Logan Killicks. One day, Joe Starks and Janie flirt and she runs off with him and they get married. They travel to Eatonville where Jody hopes to have a “big voice.” Jody makes some negative comments about Janie's appearance, so she does the same. Jody beats her for making fun of him and their marriage breaks down. Jody gets ill and he soon dies. Janie feels free for the first time in years. Later when she encouters Tea Cake, a man twelve years her junior, Janie is attracted to him. Despite negative gossip people made, she begins dating Tea Cake. Janie marries Tea Cake and leaves town to go with Tea Cake to Jacksonville. A terrible hurricane takes place in the Everglades, and as they flee the rising waters, a rabid dog bites Tea Cake. Tea Cake doesn’t realize the dog’s condition and three weeks later, he falls ill. Tea Cake becomes convinced that Janie is cheating on him. He shoots at Janie, and in order to save herself, she kills him. She is put on trial for murder but all-male jury finds her not guilty.
2. One of the themes in this book is about gender issues. Janie needs to get married to a man so that her life would be safe. This leads to the idea that women are dependent on men to protect them.
3.Hurston’s main tones are celebratory and sympathy of the richness of African-American culture.
4. 1)Allusion: The author makes references to the, Civil War, General Sherman Eatonville, Florida, George Washington, Abraham Lincoln, and Booker T. Washington
2) Metaphor: "Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches."
3)Foreshadow: "Nanny sent Janie along with a stern mien, but she dwindled all the rest of the day as she worked. And when she [Nanny] gained the privacy of her own little shack she stayed on her knees so long she forgot she was there herself….Towards morning she muttered, "Lawd, you know mah heart. Ah done de best Ah could do. De rest is left to you." She scuffled up from her knees and fell heavily across the bed. A month later she was dead.
4)Imagery : "She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid."
5)Symbolism: the head-rag Janie wears represents the constraints imposed on women by men in power.
FIRST QUARTER REVIEW
This first quarter has passed soooo quickly! In this class, lit terms, SMART goals, and Dickens have been prevalent .... With the curve ball, 'writing as a spectator sport', keeping us all on our toes. I have completed all of the assigned work and have been collaborating with Chanel and Ashley for our senior project. The days we have free play have been utilized to talk about our SMART goals among our groups. I think that the new, more independent, approach to learning is VERY beneficial and allows each of us to learn in a way that best suits us :)
Wednesday, February 20, 2013
Lit Terms 109-the rest
1. Rhetorical Question: question suggesting its own answer ot not requiring an answer; used in argument or persuasion.
Example: "Yes. Why not?"
"Here was a Caesar! When comes such another?"--From Julius Caesar by Shakespeare.
"Are you serious?"
2. Rising Action: plot build up, caused by conflict and complications, advancement toward climax.
3. Romanticism: movement in western culture begining in the eighteenth and pearking in the nineteenth century as a revolt against Classicism; imagination was valued over reason and fact.
Example: Jane Austen's Persuasion; Mansfield Park
Emily Bronte's Wuthering Height
4. Satire: ridicules or condemns the weakness and wrong doings of indivduals, groups, institutions, or humanity in general.
Example: "The city stopped washing its buses because they kept getting dirty again."
"We should hire illegal immigrants as teachers because that way we can pay them less."
5. Scansion: the analysis of verse in terms of meter.
6. Setting: the time and place in whcih events in a short story, novel, play, or narrative poem occur.
Example: A Tale Of Two Cities-London and Paris 1775-1790
background French Revolution
7. Simile: a figure of speech comparing two essentially unlike things through the use of a specific word of comparison.
Example: "My stomach is growling like a bear."
"You are as sweet as chocolate."
8. Soliloquy: an extended speech, usually in a drama, delivered by a character alone on stage.
Example: "To be or not to be"--Hamlet; Shakespeare
"O conspiracy,
Sham' st thou to show thy dan'rous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention."
--Brutus
9. Spiritual: a folk song, usually on a religious theme.
10. Speaker: a narrator, the one speaking.
Example: narrator
11. Stereotype: cliché; a simplified, standardized conception with a special meaning and appeal for members of a group; a formula story.
Example: "All teenagers are rebels."
"All children don't enjoy healthy food."
" Women take forever to do anything."
12. Stream of Consciousness: the style of writing that attempts to imitate the natural flow of a character's thoughts, feelings, reflections, memories, and mental images, as the character experiences them.
Example: "Such fools we all are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June."
-Virginia Woolf, Mrs. Dalloway
13. Structure: the planned framework of a literary selection; its apparent organization.
14. Style: the manner of putting thoughts into words; a characteristic way of writing or speaking.
Example: Jane Austen--romantic; gothic; heroic
F.Scott Fitzgerald--imaginary sentences; american dream
15. Subordination: the couching of less important ideas in less important structures of language.
Example: "Even though the broccoli was covered in cheddar cheese, Emily refused to eat it." (subordinate clause+main clause)
"Unless Kate finished her calculus hw, she will have to suffer during class tomorrow."
16. Surrealism: a style in literature and painting that stresses the subconscious or the nonrational aspects of man's existence characterized by the juxtaposition of the bizarre and the banal.
Example: Salvador Dali--The Persistence of Memory
17. Suspension of Disbelief: suspend not believing in order to enjoy it.
Example: Spider Man; Super Man
18. Symbol: something which stands for something else; yet has a meaning of its own.
Example: Flag is the symbol of the country.
Red-bloody; The Red Badge Of Courage-the tranformation(fail to success) of Henry Fleming and honor.
19. Synesthesia: the use of one sense to convey the experience of another sense.
Example: "I see the sound of the car."
"I catch the sound of rain."
20. Synecdoche: another form of name changing, in which a part stands for the whole.
Example: Wheels-Car
Thread-Clothes
Hand-Worker
21. Syntax: the arrangement and grammatical relations of words in a sentence.
22. Theme: main idea of the story; its message(s).
23. Thesis: a proposition for consideration, especially one to be discussed and proved or disaproved: the main idea.
24. Tone: the devices used to create the mood and atmosphere of a literary work; the author's perceived point of view.
Example: "Goddamn money. It always ends up making you blue as hell."
"Caltholics are always trying to find out if you're Catholic."--Catcher in the Rye:Bitter; Sacrastic; Tough
25. Tongue in Cheek: a type of humor in which the speaker feigns seriousness; a.k.a. "dry" or "dead pan".
26. Tradegy: in literature: any composition with a somber theme carried to a disastrous conclusions; a fatal event; protagonist usually is heroic but tragically(fatally) flawed.
27. Understatement: opposite of hyperbole; saying less than you mean for emphasis.
28. Vernacular: everyday speech
29. Voice: the textual features, such as diction and sentence structures, that convey a writer's or speaker's persona.
30. Zeitgeist: the feeling of a particular era in history.
Example: "Yes. Why not?"
"Here was a Caesar! When comes such another?"--From Julius Caesar by Shakespeare.
"Are you serious?"
2. Rising Action: plot build up, caused by conflict and complications, advancement toward climax.
3. Romanticism: movement in western culture begining in the eighteenth and pearking in the nineteenth century as a revolt against Classicism; imagination was valued over reason and fact.
Example: Jane Austen's Persuasion; Mansfield Park
Emily Bronte's Wuthering Height
4. Satire: ridicules or condemns the weakness and wrong doings of indivduals, groups, institutions, or humanity in general.
Example: "The city stopped washing its buses because they kept getting dirty again."
"We should hire illegal immigrants as teachers because that way we can pay them less."
5. Scansion: the analysis of verse in terms of meter.
6. Setting: the time and place in whcih events in a short story, novel, play, or narrative poem occur.
Example: A Tale Of Two Cities-London and Paris 1775-1790
background French Revolution
7. Simile: a figure of speech comparing two essentially unlike things through the use of a specific word of comparison.
Example: "My stomach is growling like a bear."
"You are as sweet as chocolate."
8. Soliloquy: an extended speech, usually in a drama, delivered by a character alone on stage.
Example: "To be or not to be"--Hamlet; Shakespeare
"O conspiracy,
Sham' st thou to show thy dan'rous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention."
--Brutus
9. Spiritual: a folk song, usually on a religious theme.
10. Speaker: a narrator, the one speaking.
Example: narrator
11. Stereotype: cliché; a simplified, standardized conception with a special meaning and appeal for members of a group; a formula story.
Example: "All teenagers are rebels."
"All children don't enjoy healthy food."
" Women take forever to do anything."
12. Stream of Consciousness: the style of writing that attempts to imitate the natural flow of a character's thoughts, feelings, reflections, memories, and mental images, as the character experiences them.
Example: "Such fools we all are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June."
-Virginia Woolf, Mrs. Dalloway
13. Structure: the planned framework of a literary selection; its apparent organization.
14. Style: the manner of putting thoughts into words; a characteristic way of writing or speaking.
Example: Jane Austen--romantic; gothic; heroic
F.Scott Fitzgerald--imaginary sentences; american dream
15. Subordination: the couching of less important ideas in less important structures of language.
Example: "Even though the broccoli was covered in cheddar cheese, Emily refused to eat it." (subordinate clause+main clause)
"Unless Kate finished her calculus hw, she will have to suffer during class tomorrow."
16. Surrealism: a style in literature and painting that stresses the subconscious or the nonrational aspects of man's existence characterized by the juxtaposition of the bizarre and the banal.
Example: Salvador Dali--The Persistence of Memory
17. Suspension of Disbelief: suspend not believing in order to enjoy it.
Example: Spider Man; Super Man
18. Symbol: something which stands for something else; yet has a meaning of its own.
Example: Flag is the symbol of the country.
Red-bloody; The Red Badge Of Courage-the tranformation(fail to success) of Henry Fleming and honor.
19. Synesthesia: the use of one sense to convey the experience of another sense.
Example: "I see the sound of the car."
"I catch the sound of rain."
20. Synecdoche: another form of name changing, in which a part stands for the whole.
Example: Wheels-Car
Thread-Clothes
Hand-Worker
21. Syntax: the arrangement and grammatical relations of words in a sentence.
22. Theme: main idea of the story; its message(s).
23. Thesis: a proposition for consideration, especially one to be discussed and proved or disaproved: the main idea.
24. Tone: the devices used to create the mood and atmosphere of a literary work; the author's perceived point of view.
Example: "Goddamn money. It always ends up making you blue as hell."
"Caltholics are always trying to find out if you're Catholic."--Catcher in the Rye:Bitter; Sacrastic; Tough
25. Tongue in Cheek: a type of humor in which the speaker feigns seriousness; a.k.a. "dry" or "dead pan".
26. Tradegy: in literature: any composition with a somber theme carried to a disastrous conclusions; a fatal event; protagonist usually is heroic but tragically(fatally) flawed.
27. Understatement: opposite of hyperbole; saying less than you mean for emphasis.
28. Vernacular: everyday speech
29. Voice: the textual features, such as diction and sentence structures, that convey a writer's or speaker's persona.
30. Zeitgeist: the feeling of a particular era in history.
Tuesday, February 19, 2013
WRITING AS A SPECTATOR SPORT
BOB 1
There is a clear distinction between those who have and those who haven't. After looking over the third period member blogs, this is what I think:
GREAT JOB:
GOOD:
BEHIND:
Monday, February 18, 2013
I AM HERE
This grading period in Dr. Preston's class has been so much more rewarding than last semester. I am now following my peer's blogs, shifting my focus in many aspects to my ultimate goal, and finally becoming accustomed to the new learning environment. We now have working days, Monday's, Wednesday's and Friday's, where we can work with classmates to collaborate on our individual talents and futures. We still are preparing for the AP exam in some form daily, just in a way that is useful for each individual. The freedom we now have is extremely helpful in each of us achieving our goals in the most efficient way. In my case, I have been focusing lately on creating my senior project along with Ashley and Chanel. Also, at the top of my list, is now finding my candidate and prompt for the "Writing as a Spectator Sport" assignment, which I will have up soon. :)
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